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up close and musical
2024
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up close and musical
2024
About
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Previous festivals
2023
2022
2021
Artistic Director
Support us
Contact
2024
About
Watch
Folder: Previous festivals
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2023
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2021 Chloe Hanslip - Saturday 14 August
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chloe solo.jpeg
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Chloe Hanslip - Saturday 14 August

from £15.00
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Doors open and drinks available 18:00 - 18:30

Concert 18:30 - 19:30

Dinner 20:00 - 21:30

Programme

J S Bach - Sonata no. 1 in G minor, BWV 1001

H I F Biber - Passacaglia in G minor from ‘Rosary’ Sonatas

Eugène Ysaÿe - Sonata no. 2

Get to know Chloe in this cosy concert, where she will chat about life on the road as an internationally renowned violinist and open up about her lifelong relationships with her instrument in a candid interview with Artistic Director Shiry Rashkovsky.

Hanslip seduces the senses with a compelling suppleness of dynamic, phrasing and senza-vibrato purity

-The Strad

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Doors open and drinks available 18:00 - 18:30

Concert 18:30 - 19:30

Dinner 20:00 - 21:30

Programme

J S Bach - Sonata no. 1 in G minor, BWV 1001

H I F Biber - Passacaglia in G minor from ‘Rosary’ Sonatas

Eugène Ysaÿe - Sonata no. 2

Get to know Chloe in this cosy concert, where she will chat about life on the road as an internationally renowned violinist and open up about her lifelong relationships with her instrument in a candid interview with Artistic Director Shiry Rashkovsky.

Hanslip seduces the senses with a compelling suppleness of dynamic, phrasing and senza-vibrato purity

-The Strad

Doors open and drinks available 18:00 - 18:30

Concert 18:30 - 19:30

Dinner 20:00 - 21:30

Programme

J S Bach - Sonata no. 1 in G minor, BWV 1001

H I F Biber - Passacaglia in G minor from ‘Rosary’ Sonatas

Eugène Ysaÿe - Sonata no. 2

Get to know Chloe in this cosy concert, where she will chat about life on the road as an internationally renowned violinist and open up about her lifelong relationships with her instrument in a candid interview with Artistic Director Shiry Rashkovsky.

Hanslip seduces the senses with a compelling suppleness of dynamic, phrasing and senza-vibrato purity

-The Strad